MATISSE AND RED BLOOD CELLS may seem like an odd mash up, but I will try to make my point. After a month at sea level in Pasadena and Las Vegas, I found myself growing somewhat ambivalent in my usual passion for being in the mountains. But then finally back in Utah, we started from our familiar staging point at Alta Lodge and began our well-traveled Powerline route to the ridgeline.
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[reaping the rewards] |
The air was exceptionally clear. The view from near 11,000 feet was spectral, with infinity only impaired by the natural bend of the earth. The climb to Heart of Darkness pass was burly, especially the last 300 feet of boot-packing to the ridge through 60 degree junk-pile lee deposit. But then, standing at the divide between two vast basins, barely a ski track in sight, that ambivalence vanished. The arctic wind was gusting, turning our exposed skin to crystal; the footing was fractured and unstable and a false step could mean a 500-foot ass luge to the emergency room. What most reasonably minded people would call misery.
But standing atop a summit, every step earned equity, is something I call humble superiority. The ambivalence was supplanted by the kind of exalted tinyness I feel in the mountains. This was a brief layover in Utah and two days later I am in Manhattan, back at sea level, restoring my red blood cell count to consumer level metabolism. But I travel back to the summit for a moment and think of the Matisse caption that accompanies one of his late-in-life construction paper pieces. It goes something like: "Elle vit apparaître le matin. Elle se tut discrètement" . Which I believe crudely translates to: she saw the beauty of the morning; she shut the fuck up.
Day’s Vertical: 4,400. Season to Date: 48,400.
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